/ When you know how I need you / to beat to a pulp on Saturday night.”. If we say this behavior is the mark of an open/loose woman, it seems a little like depriving other women of being able to do this. I'm looking for the rest of a song dating I should think from the twenties or thirties. The Other Man is, in fact, this poor guy's best friend. Mary is so sensitive, in fact, that she thinks you should be fine with this arrangement, despite her indiscretion. The short film is abstract to the point of incoherence, though it conveys the theme of domestic violence much more viscerally than the track that inspired it; such is the way of the RZA. Calling the police does nothing, she quickly discovers, as “they always come late, if they come at all,” and even when they show up, “they say they can’t interfere with domestic affairs between a man and his wife.” The song ends sadly, with the screaming ending, the wife being taken away in an ambulance, and a policeman telling all the bystanders to go home, adding, “I think we all could use some sleep.”. In this case, it’s a scared, miserable kid singing about his dad (“‘Father’ is a name you haven’t earned yet”) repeatedly getting drunk and beating his mom (“She’s just a woman… haven’t you heard ‘Don’t hit a lady’?”). There’s nothing wrong with a woman taking on a career and making a difference in the world, but deep down, all women love a man who has the ability to make her want to be a feminine woman who is more focused on love and relationships. Singer-songwriter Fran Healy had an abusive father, who fueled both this song and the later “Re-Offender.” “Flashing Light” is fiercer, or at least as fierce as a Travis song can be, with a minor-key jangle underpinning Healy’s unflinching imagery of a man stumbling home and “spilling alcohol over the floor.” Violence is in the air, with dad yelling “you’re a slut, you’re a bitch, you’re a whore,” and though the narrator eventually gets his violent own back, the emotional damage is done. It does not include the whole package. It’s a representation of the joy you experience when you don’t let things get to you. One of the most harrowing chapters of the concept album’s story arc, the song’s ice-pick synths and wrathful guitar—not to mention Waters’ pinched, pained voice—add ghastly atmosphere to revenge-fantasy lines like “How could you go? The demands of family, career, and relationships can make holding down multiple relationships very difficult indeed—and even more so when one of those relationships covers up a lie about the other. But she sometimes makes him angry, at which point he grabs her hair and throws her into the wall. ", An oddly indifferent-sounding ballad from Chicago's first comeback, and also very soulful, even as it eased the group into their upcoming Adult Contemporary incarnation. This 1924 blues song is the lament of a woman facing jail time after she shot and killed her abusive husband in self-defense. Police known this song for ever but I can't figure out the songs name I know the album cover is a man and woman.. and the song starts with a sound . 3. Critic Dave Marsh famously said that this song's effect was as emotional and visceral as "witnessing a murder or a suicide." Both singers have clearly been in this mutually violent relationship for a while, and both sound entirely chipper about it: “He ain’t going to beat me no more,” Fitzgerald croons in an ersatz Jamaican accent, “So I tell you that I doesn’t care if I was to die in the ’lectric chair. Because according to the chorus, “a kiss with a fist”—or a kiss with a metaphorical word-fist of psychological abuse, apparently—“is better than none.”, 18. 5. The sadly underrated Covay was adept at blues, soul, and something he called "country funk," and this rare top 40 hit of his contains elements of all those styles. Case in point – John F. Kennedy wed Jacqueline Kennedy Onassis and the First Lady Martha Washington wed to George Washington. Lovin' eyes can never see. Sometimes, he sings, “It’s out of love.”, 9. Not so “Boy With A Problem,” from 1982’s Imperial Bedroom: “I even slapped your face and made you cry,” he sings remorsefully over Steve Nieve’s stately piano. Being in love with a married man is one of the hardest things in the world to deal with, especially if he is returning the affection and feelings, but still with his wife. Once the sexual revolution kicked into high gear, however, more and more Top 40 songs began to wrestle with the issue of loving someone you shouldn't. Correct lyric: “More than a woman… more than a woman to me” from the Bee Gees’ ‘More than a woman’. Rush's tremulous delivery reveals just how much women put on the line back in 1968—risking not just their heart but their social standing—by being the Other Woman. Though he’s “the meanest man in the land… heartless and also cruel,” she’s so swept up in their passionate love life that she’s willing to forgive him his bouts of violence. speaks (or rather sings) volumes. The scandal arose partly from the fact that it was sung by the future Queen of New Orleans Soul when she was just 19 years old—and already on her second husband! 27. By the end of the song, it’s clear there are children and a gun involved, and not much else. Over time, she starts to feel like the man simply isn’t there for her, or thinking of her, and that she’s more invested in the relationship than he is. Apparently, it started out as a one-night stand, so the answer may lie between the sheets. Peebles, on the other hand, doesn't seem to care at all, despite the fact that her own backup singers are advising her "don't break it up." Clearly, it's about to get real. Bob Mould, “Lost Zoloft”As he chronicles in his new memoir, See A Little Light: The Trail Of Rage And Melody, singer-songwriter Bob Mould grew up in an abusive household, but “Lost Zoloft”—from Mould’s little-loved electro-rock album, Modulate—is about the underreported phenomenon of same-sex spousal abuse. “His fist is big, but my gun’s bigger,” she sings, bridging the gap between self-defense and schoolyard taunt. A sort of companion piece to Johnnie Taylor's "Who's Making Love," it shows in painful detail how cheating on someone else can backfire on the cheater, trapping them in a double bind of awful secrets. If you wanna do right (do right - do right) All day (do right - do right) woman (woman) You gotta be a do right (do right - do right) All night man (man) A woman's only human This you should understand These are songs about changing the world, the environment we live in, and ourselves. Yeah-yeah they say that it's a man's world But you can't prove that by me And as long as we're together baby Show some respect for me. Don't need your ones and twos. Elvis Costello, “Boy With A Problem”In the early ’80s, Elvis Costello alluded to domestic abuse several times—most obviously on “Beaten To The Punch,” from 1980’s Get Happy! Don't need your clothes, don't need your rent. Pink Floyd, “Don’t Leave Me Now”Jealousy, insecurity, codependency: It’s a wonder the members of Pink Floyd weren’t domestically abusing each other by the time The Wall was released in 1979. A song for when you are questioning what went wrong in the relationship and how it all ended. Lyrically, though, “Shoot” is on target. “He’ll find out when I pull the trigger.” Like the other songs on Lambert’s Crazy Ex-Girlfriend, “Gunpowder & Lead” presents her as a kick-ass chick with a hair-trigger temper—definitely not the type an abusive man should come home to when he makes bail. If she is playin' him for a fool, He's the last one to know. View this video on YouTube youtube.com. 21. It … Eric Clapton – Change the World. Tracy Chapman, “Behind The Wall” After the first three songs of Tracy Chapman’s self-titled debut album, listeners had good reason to expect that all her material would be powered by acoustic guitar, but “Behind The Wall” is delivered with no instrumentation whatsoever, to chilling effect. The people around them have the wrong idea: “All the neighbors say we’re happy… and they’re wrong.”. When she tells him, “for fun,” that she’s leaving him, he blackens both her eyes, blinding her, then pawns everything he ever gave her… but as she says, “outside of that, he’s all right with me.” By the end of the song, where she’s calling him a dirty thief and he’s knocking out her teeth, the irony is getting pretty thick, and the song is beginning to sound less like a bluesy love song and more like a backhanded slap at women who choose to stay with men who give them backhanded slaps. Antony And The Johnsons, “Fistful Of Love”Much of Antony And The Johnsons’ I Am A Bird Now revolves around finding pleasure in pain and unearthing profound beauty from overpowering ugliness. Bessie Smith, “Outside Of That”Blues legend Bessie Smith beat The Crystals to that sentiment by decades: Her 1923 song “Outside Of That” writes off her lover’s abuse as just one minor sticking point in their relationship. “Some folks whispered, some folks talked / but everybody looked the other way,” McBride sings. Another song about stealing someone’s man on the dancefloor! Angelina First Release: The Bootleg Series, Vol 1-3: Rare & Unreleased 1961-1991 First Played: Last Played: Times Played: 0. 6. The awkward nobility comes on full force here, even if Smokey seems dazed as to how he got here and why his other woman puts up with his situation. The events described in Alanis Morissette's song "Ironic," like rain on your wedding day, are not examples of irony. How long has it been since you've heard Aaliyah? “Goodbye, Earl” follows the exploits of best friends Mary Anne and Wanda as they plot the death of Wanda’s abusive husband Earl, who, after Wanda files for divorce, “walked right through that restraining order / and put her in intensive care.” (Dixie Chicks lead singer Natalie Maines delivers the line “It didn’t take ’em long to decide that Earl had to die” with particular glee.) “You think you know the animal until you strike a certain nerve,” Mould sings, which could be about any abusive relationship, until he mentions “a latent homosex becomes so violent when provoked.”, 28. Women who act like spoiled children has been talked about many times. The classic (and I know a bit about this) is 'Torn Between Two Lovers' by Mary MacGregor, although my personal favourite is 'Be My Downfall by Del Amitri. The enduring appeal of forbidden love made songs about cheating a part of the classic pop of the '50s, '60s, and '70s. 13-15. Good thing it rocks so hard—at least until the equally famous piano coda, which sounds like your forbidden love kissing you one last time and driving away, slowly, for good. Or is she? LiveAbout uses cookies to provide you with a great user experience and for our, "(If Loving You Is Wrong) I Don't Want to Be Right" by Luther Ingram. Insane Clown Posse, “Hall Of Illusions” In “Hall Of Illusions,” Violent J and Shaggy 2 Dope of Insane Clown Posse play demented jesters who show sinners what their families’ lives would have been like had they chosen a more virtuous path. It compares a woman's relationship to a tree that always bends in the wind, but never ends up breaking. Grown-ups do these stuff: they don't hide their feelings and they do their best to communicate them in the best possible way with the people around them. “Last night I heard the screaming,” Chapman begins, launching into a tale of an apartment-dweller who awakens to the sounds of a husband beating his wife on the other side of the wall. Florence + The Machine, “Kiss With A Fist”Florence Welch is on record as saying “Kiss With A Fist” isn’t about domestic violence, but rather “two people pushing each other to psychological extremes because they love each other.” Fair enough, but she’s asking for literal interpretation with lyrics like “You hit me once, I hit you back / You gave a kick, I gave a slap / You smashed a plate over my head / Then I set fire to our bed.” Metaphorical or not, “Kiss With A Fist” is a laundry list of the pain two people can inflict upon each other, from broken jaws to black eyes to spilled blood, all in the name of true love. 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