We use cookies to enhance your experience on our website. p.134) Literature: Michael Rothenstein, Looking at Paintings, London 1947, p.36, repr. 192. The primordial landscape is made current through Sutherland’s intimate relationship with nature. and ‘Graham Sutherland’ b.r. Small drawing, possibly of a root form, Sketchbook 1. View Graham Sutherland’s 2,791 artworks on artnet. Not disturbing. English painter Graham Sutherland with his unfinished portrait of Winston Churchill, 1954. Beautiful powerful poster of a top artist. File; File history; File usage; Metadata; Size of this preview: 800 × 451 pixels. A landscape with craggy rocks and what seem to be two trees, Sketchbook 1. Some little creases. oil on canvas The rich flaming oranges and blood reds wrestle with the deep claustrophobic darkness of the night. Februar 1980 ebenda) war ein britischer Maler. 22 x 36 in. Sign out. Artwork page for ‘Pastoral’, Graham Sutherland OM, 1930 During the 1920s Sutherland produced a series of prints and drawings directly inspired by the example of Samuel Palmer. The series culminated in this work, whose simplified forms and detailed technique recall Palmer. 71. Read our. Road and Quarry 4°. Inscribed '1937' in large characters. 290: this exhibition travelled to Darmstadt, Ausstellungshallen Mathildenhöhe, August - September 1982. Licensing images through us supports Tate. ', Horizon, April 1942). Burger. Sketch of the Regatta at Solva and studies of a male running figure, Sketchbook 1. Sutherland himself wrote to Sir Colin Anderson about his experiences in Wales, saying that, 'I wish I could give you some idea of the exultant strangeness of this place – for strange it certainly is, many people whom I know hate it, and I cannot but admit that it possesses an element of disquiet. File:Devastation, 1941, An East End Street by Graham Sutherland (Tate N05736).jpg. | Tate Images. This Welsh scene reflects the artist's anxiety at the threat of war; it was painted during the ‘phoney war’ between 1939 and 1940. Artist's Resale Right ("Droit de Suite"). zahlr., tls. Origin: a collector. Painted in 1940, it not only anticipates his work as a war artist depicting the molten steel works of Cardiff and the tin mines of Cornwall but exudes a feeling of disquiet and impending violence. TATE IMAGES. Both the title and the ominous twilight effect suggest imminent violence. Special Notice. Presented by the artist 1970. Sounds perfect Wahhhh, I don’t wanna. They represent Sutherland’s fascination with the tension between opposites: beauty and ugliness, friendliness and menace. Illustrated throughout with a foreword by director Alan Bowness. Art Boxing by Sir David Low in the Evening Standard, 1955. Graham Sutherland OM Crucifixion 1946 Oil on board support: 908 x 1016 mm frame: 1168 x 1472 x 83 mm Purchased 1947© Tate. Sketches of a crouching man and a swan, Sketchbook 1. Front cover. Graham Vivian Sutherland (24. august 1903 London – 17. veebruar 1980) oli inglise maalikunstnik, graafik ja disainer.. Olnud õppinud Londoni Goldsmiths’ College’is graafilist kunsti, moodustavad Sutherlandi kunstnikukarjääri esimeste aastate loomingu graveerimis- ja söövitustehnikates valmistatud maastikustseenid. Graham Vivian SutherlandOM(24 August 1903 – 17 February 1980) was an English artist who is notable for his work in glass, fabrics, prints and portraits. VAT rate of 5% is payable on hammer price plus buyer's premium. Graham Vivian Sutherland (* 24. ‘Pastoral’, Graham Sutherland OM, 1930 | Tate. The left bank as we see it is all dark – an impenetrable damp green gloom of woods which run down to the edge of low brackish moss-covered cliffs – its all dark, save where the mossy lanes which dives down to the opening, admit the sun, hinged as it were, to the top of the trees, from where its rays, precipitating new colours, turn and red cliffs of the right hand bank to tones of fire. Graham Sutherland . Feb 13, 2014 - Graham Sutherland (1903-1980) : Somerset Maugham, 1949. Tate, London. It was through Kenneth Clark that Anderson met Graham Sutherland. Painted during the period known as the 'phoney war', the present work has a sense of the calm before the storm, the impending evil just beyond the horizon, beckoned in by the rising dawn. This catalogue is in excellent out of print condition. His work was much inspired by landscape and religion, and he designed the tapestry for the re-built Coventry Cathedral. Black Landscape, Sutherland, Graham, OM, 1939-40, Oil paint and sand on canvas. Road and Quarry was painted soon after this visit to mid-Wales. Engraving. Sir Hugh Walpole, by whom purchased at the 1940 exhibition. Später wurde er als Porträt-Maler bekannt. Graham Sutherland, who was already a close friend, was invited to become such an artist and in fact, due to his and Kathleen’s worsening economic situation, was persuaded to sub-let their house in Trottiscliffe, Kent and move in with the Clarks at Upton House, Gloucestershire in 1939. In 1965 he was appointed chairman of the Arts Council and made a life peer. Sketchbook 2. in col. p.197) Loan to The Graham Sutherland Gallery, Picton Catle, Haverfordwest, May-Oct. 1984 Forty Years of Modern Art, Tate Gallery, London, Feb.-April 1986 (no … Contact. August 1903 in Streatham, London; 17. On occasion, Christie's has a direct financial interest in lots consigned for sale which may include guaranteeing a minimum price or making an advance to the consignor that is secured solely by consigned property. Artwork page for ‘Black Landscape’, Graham Sutherland OM, 1939–40 on display at Tate St Ives. He creates metaphors for the world around him as he looks to distil and then express his emotions towards the contemporary world through the rendering of the ancient Welsh landscape. In December of the same year Sutherland visited a new area of Wales that neither he nor Kathleen had previously explored. Yesterday we were spell-bound at sunset by the effect of the sun coming through holes in the clouds and making orange red patches on the blue-back mountains' (G. Sutherland, quoted in ibid., p. 95). See the photos. Inscribed on the plate ‘GRAHAM SUTHERLAND MCMXXV +’ t.r. Graham Sutherland stirbt am 17. Graham Sutherland. Text by Ronald Alley." Wichtige Ausstellungen, die den internationalen Rang des Malers dokumentieren, sind die Teilnahmen an den "documenta"-Ausstellungen 1955, 1959 und 1964 sowie Retrospektiven in der Tate Gallery in London im Jahr 1982, in Frankreich 1998, und in der Dulwich Picture Gallery in London im Jahr 2005. Jun 6, 2014 - Artwork page for ‘Lord Goodman’, Graham Sutherland OM, 1973–4 At his death, Arnold Goodman was described as 'for many years... Britain's most distinguished citizen outside government'. Lord Goodman, Sutherland, Graham, OM, 1973-4, Oil paint on canvas. Licensing images through us supports Tate. Oporto, Museu Nacional de Soares dos Reis, Sketchbook 1. Due to current working restrictions it may take a little longer to answer all enquires so please bear with us. File:Devastation, 1941, East End, Burnt Paper Warehouse by Graham Sutherland (Tate N05737).jpg From Wikipedia, the free encyclopedia Jump to navigation Jump to search London, Tate Gallery, Graham Sutherland, May - July 1982, no. Seine Malerei zeichnete sich durch abstrakt-surrealistische Elemente aus. 74: this exhibition travelled to Darmstadt, Mathildenhöhe, August - September 1982. Sir Colin Anderson joined the family shipping firm Anderson, Green & Co in 1935 and became responsible for creating a more modern aesthetic in the ship’s interiors, most notably in the flagship of the Orient Line, Orion. | Tate Images. Pending requests. Graham Sutherland, Tate Gallery, London 1982 (essay by Ronald Alley) Graham Suitherland Correspondences, The Graham and Kathleen Sutherland Foundation, 1982. graham-sutherland. Er hat zahlreiche expressionistische Gemälde gefertigt. Due to current working restrictions it may take a little longer to answer all enquires so please bear with us. In Road and Quarry Sutherland has managed to combine the intricate romanticism of William Blake with the untamed timeless landscape of Wales to create a dark and deeply powerful symbol of the impending destruction on the eve of war. Graham Sutherland, Mathildenhöhe, Darmstadt, Aug.-Sept. 1982 (230, repr. Sketchbook 2. Lot Essay . 1.5M ratings 277k ratings See, that’s what the app is perfect for. Study of a swan in flight and drawing of a vertical form with a pointed top, Sketchbook 1. Do you remember the rocks in Blake’s 'Newton’ drawing? Sketchy indications of a hilly Welsh landscape, Sketchbook 2. Order. Graham Sutherland, Mathildenhöhe, Darmstadt, Aug.-Sept. 1982 (159, repr. (London 1982). Aug 29, 2012 - Artwork page for ‘Standing Forms II’, Graham Sutherland OM, 1952 These forms probably derived from plant roots or other vegetable matter. Special Notice. Three studies for a landscape composition. London, Tate Gallery, Graham Sutherland, May - July 1982, no. Update account. Etching, 51/16 x 73/16 (13.5 x 18.3) on paper 7½ x 10¼ (19 x 26). The form and scale of the rocks here, and the minutiae on the them, is very similar. P02066 Pecken Wood 1925. 269 works are discussed and annotated. - Ausstellungskatalog der Tate Gallery. The finished portrait was rejected by Churchill and... English painter Graham Sutherland in his studio, 1955. Graham Vivian Sutherland (24 August 1903 – 17 February 1980) was an English artist who is notable for his work in glass, fabrics, prints and portraits. 144: this exhibition travelled to Darmstadt, Mathildenhöhe, August - September, no. No VAT will be charged on the hammer price, but VAT at 15% will be added to the buyer's premium which is invoiced on a VAT inclusive basis. Lot Essay . Graham Sutherland was a British painter best known for his Surrealist abstractions of landscapes and figures. Although Sutherland didn’t execute any commissions for the Orient Line, Sir Colin supported him throughout the 1930s and 1940s for which he was always grateful, writing 'I do thank you for being literally the only one of my earliest supporters who follows what I am trying to do as I try to do it, naturally, and without slight prompting on my part' (G, Sutherland, quoted in R. Berthoud, Graham Sutherland A Biography, London, 1982, p. 119). Hilly landscape with a small, apparently ruined hut or barn in the centre and the profile of a head on the left, Sketchbook 1. Signed in the print in the image. File:Devastation, 1940 AHouse on the Welsh Border by Graham Sutherland (Tate N05734).jpg From Wikipedia, the free encyclopedia Jump to navigation Jump to search This is such a lot. Special Notice. Find an in-depth biography, exhibitions, original artworks for sale, the latest news, and sold auction prices. Februar 1980 in London. London, Crane Kalman Gallery, Graham Sutherland, April - June 1999, no. Study of the head and foreparts of a ram, Sketchbook 1. 25. Sign in. Graham Sutherland (1903–1980) brought together the tradition of English landscape and recent innovations in Parisian modernism, particularly in the art of Picasso. Graham Sutherland. Although always destined to enter the family business Sir Colin’s love of art began as an undergraduate at Oxford. At the Tate Gallery the British artist Graham Sutherland works on a mural for the Festival of Britain. ill. Okt. (55.8 x 91.4 cm.). Rarely have I been so conscious of the contrasting of these elements in so small a compass' (G. Sutherland, 'Letter to C.A. Images of Graham Sutherland from Tate Images. Sketches of a fishing net and a running figure, Sketchbook 1. Glossary. See the photos. The surrounding landscape of which would become particularly influential on Sutherland’s work in the late 1950s and 1960s. The present work has remained in the same family since it was purchased by Sir Colin and Lady Anderson on the advice of Rex Nan Kivell in 1945. Anselm Kiefer Domenica in ramis … "The catalogue for a major retrospective exhibition of the work of Graham Sutherland, covering all periods of his career from his early etchings to the work he made as an official war artist to his portraits. Generally in good condition. Graham Sutherland, Tate Gallery, May-July 1982 (113, repr.) See available works on paper, prints and multiples, and paintings for sale and learn about the artist. While studying at Trinity College he became friends with Sir Kenneth Clark who introduced him to many of the emerging artists at that time, many of whom he subsequently commissioned to produce work for Orient Line ships between 1935 and 1960. Some little creases. Nov 20, 2017 - A large catalogue produced to coincide with the major exhibition of Graham Sutherland's work at the Tate Gallery, London in 1982. Special Notice. and in the margins ‘Final State’ b.l. London, Tate Gallery, Graham Sutherland, May - July 1982, no. Abergavenny and the rugged mountains of the Brecon Beacons became Sutherland's new point of reference and inspirational landscape. At the age of 30, Sir Colin’s friend, Kenneth Clark, had become Director of the National Gallery, London, however, with the advent of war and the transfer of the Galleries collection to the slate mines of Blaenau Ffestiniog, Clark was recruited into the Ministry of Information where he was to set up the War Artists’ Advisory Committee. Feb 5, 2013 - Graham Sutherland http://www.tate.org.uk/art/artists/graham-sutherland-om-2014 PROPERTY FROM THE COLLECTION OF THE LATE SIR COLIN AND LADY ANDERSON, Graham Sutherland, O.M. Two studies of the head of a ram, Sketchbook 1. As a lawyer, his work on high-profile libel cases drew him into the affairs of state. 184 S. Farb. Register | Sign in | Contact | Order 0. Not disturbing. In 1955 Graham Sutherland bought Villa Tempe a Païa in Menton, France, a modernist home designed and built by the Irish architect Eileen Gray in 1934. Somerset Maugham, Sutherland, Graham, OM, 1949, Oil paint on canvas. Two sketches of the head of a ram. signed and dated 'Sutherland 1940' (lower right) (1903-1980) London, Tate Gallery, Graham Sutherland, May - July 1982, no. They have been redefined by the artist to suggest human presences. | ISBN: | Kostenloser Versand für alle Bücher mit Versand und Verkauf duch Amazon. Graham Sutherland OM 1903-1980. The whole setting is one of exuberance – of darkness and light – of decay and life. His work was much inspired by landscape and religion, and he designed the tapestry for the re-built Coventry Cathedral. Devastation, 1940: A House on the Welsh Border, Devastation, 1941: East End, Wrecked Public House, Devastation, 1941: East End, Burnt Paper Warehouse, A Foundry: Hot Metal has been Poured into a Mould and Inflammable Gas is Rising, Working Drawing for 'Origins of the Land', Exhibition catalogue from The Lefevre Gallery, February 1946, Letter from Graham Sutherland to Kenneth Clark, Exhibition catalogue for 'Exhibition of works by Sutherland, Wadsworth, Adams, Armitage, Butler, Chadwick, Clarke, Meadows, Moore, Paolozzi, Turnbull', The British Pavilion, XXVI Biennale, Venice. Fan account of Graham Sutherland, an English artist who is notable for his work in glass, fabrics, prints and portraits. u. Jump to navigation Jump to search. Abb. M. 1 Bildn. Orders. 'The British Art of the Twentieth Century' paintings by Francis Bacon, Roger Hilton and Graham Sutherland. View the main page for this artwork. Origin: a collector. Register. farb. The greater part of the survey is devoted to his mysterious nature paintings. We use cookies to enhance your experience on our website. The Scales, Sutherland, Graham, OM, 1961-2, Oil paint on canvas. Inside of front cover: Two small sketches of girls' heads, the upper one wearing a hat, Sketchbook 2. | Tate Images. Graham Sutherland - The Tate Gallery 1982 - 1982 Poster Beautiful powerful poster of a top artist. Generally in good condition. An intaglio process whereby lines are cut into a metal or wood plate using an engraving tool (a burin), which is pushed in front of the hand to achieve a sharp controlled incision capable of great delicacy. Magistrat der Stadt Darmstadt, Tate Gallery London 1982 | Krimmel, Bernd (Red.) | Tate Images. This lot is offered by Christie’s Inc. Signed in the print in the image. Sketches of a yacht and the outside of a building, Sketchbook 1. 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